Sat
02/07
Cinema Lumiere - Sala Officinema/Mastroianni > 15:45
1916. Envoi
Gabriel Thibaudeau
According to archival reports, some 1560 titles from 1916 are known to exist (plus the usual unknown number of unreported cases). Of these, some thirty titles are being screened in 2016 at the Cinema Ritrovato. If you wonder about the other 1530 films and the many more that no long seem to exist, some reading will help. Title lists, contemporary reviews and sales catalogues from production companies are all fascinating, and without actually seeing the films you get vivid impressions. Some film titles are simply perfect, like Shooting at Random or Starved to Death in a Restaurant (both from the Heinie and Louie series).
And do not mourn too much about all that has been lost; not every old film was a good film. To quote from 1916 reviews: “Dull drama”, “A work that has nothing to say”, “Childish allegory”, “Just a plain stupid subject”, “A thousand wasted meters”, “Stale subject, poorly executed”, “Ridiculous. Shoddy actors”… and so on ad infinitum (Vittorio Martinelli, Il cinema muto italiano 1916, 1992). Hopefully, the 1916 screenings haven’t left you starving in a restaurant, and there is still room for a bit of pudding. Non fiction films from 1916 (Staalfabrieken Krupp and Hawaii) can be as magical as the breathtakingly beautiful Lumière movies from twenty years earlier (Dechargement du Coke; Panorama de l’arrivée du train de Perrache prise du train). And who needs drama when you can have comedy?
Mariann Lewinsky
ProjectionInfo
Subtitle
Original version with simultaneous translation through headphones
Admittance
LA MERIDIANA DEL CONVENTO
Film Notes
In a disguise, the painter Vaser lands a job restoring frescoes at the Santa Ingenua boarding school. A schoolgirl there, Liliana, invites her friend Gigetta and her aunt to meet her brother, Lieutenant Giorgio. Gigetta and Giorgio fall in love, but an unexpected episode gets in the way of their marriage. During a picnic organized by the nuns and schoolgirls, Gigetta climbs a tree, and Vaser takes a risqué picture of her. A series of misadventures unfolds as the whole boarding school, a unit of soldiers and even the police commissioner hunt down the compromising picture and plate. The ending is happy: the plate is destroyed, and Gigetta cheekily tears up the picture without showing it to the audience. This comedy of rip-roaring mischief and infectious joy also contains a veiled reference to the war underway in scenes where men previously rejected for military service are reexamined. The costumes are remarkable, especially the charming mises – from bourgeois lady to Amazon – for Morano, who here performs as a mature actress and is flanked by the fresh face of newcomer Tonini, as radiant as she was unknown.
Claudia Gianetto
Cast and Credits
F.: Giovanni Vitrotti. Int.: Gigetta Morano (signorina Gigetta Morano), Ercole Vaser (il pittore), Liliana (Maria Tonini), Adele Zoppis (suora superiora), Umberto Scalpellini (il giardiniere). Prod.: S.A. Ambrosio. 35mm. L.: 650 m. D.: 32’ a 18 f/s. Bn.
ARTIESTENZOMERFEEST
Dutch intertitles
STAALFABRIEKEN KRUPP
German intertitles
LAGOURDETTE GENTLEMAN CAMBRIOLEUR
French intertitles
HAWAII: THE PARADISE OF THE PACIFIC
Dutch intertitles
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