GEMMA DI SANT’EREMO

Alfredo Robert

F.: Antonio Cufaro. Int.: Pina Menichelli (Gemma di Sant’Eremo), Alberto Nepoti (marchese De Renzis), Gabriel Moreau (conte di Sant’Eremo). Prod. Itala Film. Pri. pro.: 4 febbraio 1918 35mm. L.: 35 m. (incompleto, l. orig.: 1180 m.). D.: 2’ a 18 f/s. Desmetcolor. 

info_outline
T. it.: Italian title. T. int.: International title. T. alt.: Alternative title. Sog.: Story. Scen.: Screenplay. F.: Cinematography. M.: Editing. Scgf.: Set Design. Mus.: Music. Int.: Cast. Prod.: Production Company. L.: Length. D.: Running Time. f/s: Frames per second. Bn.: Black e White. Col.: Color. Da: Print source

Film Notes

Gemma di Sant’Eremo was an ill fated film, massacred by censorship and crushed by the critics, who in Italy, could only see a mutilated and distorted version. Time has not been kind either, since this short fragment is all that remains of the nitrate base preserved by the Museo Nazionale del Cinema of Turin. The images salvaged from decay show a Menichelli who is first joyful and in love, then languid and decadent.

Copy From

Preservation carried out by Museo Nazionale del Cinema di Torino at L’Immagine Ritrovata film laboratory in 2012 using a colour nitrate base preserved by Museo Nazionale del Cinema di Torino.