LA FUCINA

Luigi Maggi

T. alt.: L’andata alla fucina. Sog.: dalla ballata Der Gang nach dem Eisenhammer di Friedrich Schiller. Scen.: Arrigo Frusta. F.: Giovanni Vitrotti. Int.: Mary Cléo Tarlarini (la moglie del conte), Alberto A. Capozzi (il conte di Saverno), Romilde Nigra (il paggio), Luigi Maggi (il conte Roberto), Serafino Vité, Paolo Azzurri, Leo Ragusi (uomini della fucina). Prod.: S.A. Ambrosio DCP. D.: 12’ Tinted

info_outline
T. it.: Italian title. T. int.: International title. T. alt.: Alternative title. Sog.: Story. Scen.: Screenplay. F.: Cinematography. M.: Editing. Scgf.: Set Design. Mus.: Music. Int.: Cast. Prod.: Production Company. L.: Length. D.: Running Time. f/s: Frames per second. Bn.: Black e White. Col.: Color. Da: Print source

Film Notes

As an excellent plot creator, Frusta had to have known that even the most meticulously thought out plan can backfire, take a detour and turn against the person who orchestrated it. This story is a shining example. The scheme seems perfect and painstakingly planned, a series of perfectly timed deceits. The goal is diabolical: take revenge on a woman by burning her innocent page in the foundry. Revenge to be served hot in an infernal forge. But fate is playing with loaded dice, and the person who thinks he is deciding the game ends up in ashes. Crooked destiny, cruel film, as is often the case for Frusta. Adapted from Schiller’s ballad to satisfy Ambrosio’s German agents demanding adaptations of fine literature.

Copy From

Restored in 2018 by Cineteca di Bologna and Museo Nazionale del Cinema, in collaboration with BFI – National Archive at L’Immagine Ritrovata laboratory from a tinted nitrate print preserved at BFI and belonging to the Joye collection