SARAH BERNHARDT À BELLE ISLE

T. ing.: Sarah Bernhardt at Home; T. ted.: Bilder aus dem Leben der welt berümten Schauspielerin Sarah Bernhardt auf der Insel Belle-Isle; Int.: Sarah Bernhardt, Maurice Bernhardt, Sir Basil Zaharof, Georges Clairin, et al.; Prod.: Le Film d’Art 35mm. L.: 415 m. D.: 20’ a 18 f/s. Imbibito / Tinted.

 

info_outline
T. it.: Italian title. T. int.: International title. T. alt.: Alternative title. Sog.: Story. Scen.: Screenplay. F.: Cinematography. M.: Editing. Scgf.: Set Design. Mus.: Music. Int.: Cast. Prod.: Production Company. L.: Length. D.: Running Time. f/s: Frames per second. Bn.: Black e White. Col.: Color. Da: Print source

Film Notes

A documentary featuring Bernhardt surrounded by friends and undertaking various activities at her holiday retreat in Brittany. This film accompanied Bernhardt’s 1912 tour of America, and was one of the first films to offer a supposedly “intimate” vision of a celebrity’s private life. What is notable is not only the way in which Bernhardt is clearly unable to bound through the nature she is intent on showing, but the manner in which the rustic isolation of the island is nevertheless undermined by the arrival of a telegram, a game of tennis, and the way in which Bernhardt’s various activities have been staged for the camera. A local celebration of the actress is particularly interesting, since it shows members of the community performing a “Breton dance”. Like Gauguin and the Pont-Aven artists some 20 years earlier, Bernhardt makes vernacular life an idealized part of the modern world.

Victoria Duckett

Copy From

Print restored in 2006 from a tinted nitrate positive