AMAZONE

Nicole Vedrès

Scen.: Alexandre Arnoux. M.: Léonid Azar. Mus.: Georges Van Parys. Prod.: Les Films du Trident. 35mm. D.: 4’. Bn.

info_outline
T. it.: Italian title. T. int.: International title. T. alt.: Alternative title. Sog.: Story. Scen.: Screenplay. F.: Cinematography. M.: Editing. Scgf.: Set Design. Mus.: Music. Int.: Cast. Prod.: Production Company. L.: Length. D.: Running Time. f/s: Frames per second. Bn.: Black e White. Col.: Color. Da: Print source

Film Notes

Bluette Christin-Falaize and Nino Costantini’s (Les Films du Trident) Encyclopédie filmée stopped at the letter A, with eleven shorts that run the gamut from the traditional documentary (Avalanche, Carlos Vilardebó, Arles, a collective work) to a mix of fiction (Absence, Jean Dréville), from a Raymond Queneau conference directed by Pierre Kast (Arithmétique) to editor Léonid Azar’s film on the fascinating mechanical devices of the eighteenth century (Automate). The project seems tailored for two of Diderot’s heirs: Jean Grémillon (Alchimie) and Nicole Vedrès. Like a true encyclopedist, Vedrès first deals with the title’s word before exploring the subject, breaking down the multiple meanings of ‘Amazon’, starting with the tribe of warriors in Ancient Greece who killed their male children to the Amazon River in South America. The brilliantly edited short is entirely made up of archival material. The commentary is narrated by a woman’s voice, maybe hinting at Vedrès’ authorship, rather than the credited Alexandre Arnoux, a versatile veteran homme de lettres.

Bernard Eisenschitz

 

Copy From

Restored in 2006 by CNC from the negative print. Sound restoration carried out from the 35mm nitrate negative.