MOTION PICTURE: LA SORTIE DE L’USINE LUMIÈRE À LYON
Peter Tscherkassky
16mm a 24 f/s. D.: 3’ 23’’. Bn muto.
info_outline
T. it.: Italian title. T. int.: International title. T. alt.: Alternative title. Sog.: Story. Scen.: Screenplay. F.: Cinematography. M.: Editing. Scgf.: Set Design. Mus.: Music. Int.: Cast. Prod.: Production Company. L.: Length. D.: Running Time. f/s: Frames per second. Bn.: Black e White. Col.: Color. Da: Print source
Film Notes
Cinema was born a seer. “The greatest trick would be discovery of a cinematographic image, naked, undressed, immodest and for this, a chaste, frontal image, still, moving, sensitive and illuminated, the Lumière image” (Marcel Hanoun). From films by Rohmer in the form of a coffer, to pure abstraction, expression of the incredible motility of the Lumière films in Tscherkassky.