LA MADRE E LA MORTE

Scen.: Arrigo Frusta. F.: Giovanni Vitrotti. Int.: Mary Cléo Tarlarini (la madre), Oreste Grandi (la morte), Ercole Vaser (il figlio a vent’anni), Maria Bay (il figlio bambino). Prod.: S.A. Ambrosio. 35mm. L.: 150 m (l. orig.: 202 m). D.: 12′ a 16 f/s Tinted (Desmetcolor)

info_outline
T. it.: Italian title. T. int.: International title. T. alt.: Alternative title. Sog.: Story. Scen.: Screenplay. F.: Cinematography. M.: Editing. Scgf.: Set Design. Mus.: Music. Int.: Cast. Prod.: Production Company. L.: Length. D.: Running Time. f/s: Frames per second. Bn.: Black e White. Col.: Color. Da: Print source

Film Notes

Snowy exterior shots and painted backdrops for a dark fairy tale with disturbing moral implications. Death is a benevolent old man with a sickle who lives in a magical cavern full of pendulums – the lives of men – and disturbing little devils with wings drawn on their chest. When he takes a baby from its mother, she cannot come to terms with it until the other future is shown to her in a magic spring proving to her that it could be worse: disgrace. In the closing emblematic shot, two daggers pierce her heart. Mystical.

Copy From

Restored in 2007 by Fondazione Cineteca Italiana, Milano and Museo Nazionale del Cinema at L’Immagine Ritrovata laboratory from a nitrate print preserved by Fondazione Cineteca Italiana