TRENT’S LAST CASE

Howard Hawks

Sog.: da un romanzo di Edmund Clerihew Bentley; Scen.: Scott Darling, Beulah Marie Dix; F.: Harold Rosson; Int.: Raymond Griffith (Philip Trent), Marceline Day (Evelyn Manderson), Donald Crisp (Sigsbee Manderson), Raymond Hatton (Joshua Cupples), Lawrence Gray (Jack Marlowe), Edgard Kennedy (ispettore Murch), Nicolas Soussanin (Martin), Anita Garvin (Ottilie Dunois); Prod.: William Fox per Fox Film Corporation; Pri. pro.: 31 marzo 1929. 35mm. L.: 1770 m. Bn

info_outline
T. it.: Italian title. T. int.: International title. T. alt.: Alternative title. Sog.: Story. Scen.: Screenplay. F.: Cinematography. M.: Editing. Scgf.: Set Design. Mus.: Music. Int.: Cast. Prod.: Production Company. L.: Length. D.: Running Time. f/s: Frames per second. Bn.: Black e White. Col.: Color. Da: Print source

Film Notes

[It] was one of the great detective stories of all time. The only trouble was we had Raymond Griffith as the star and he talked like this [in a hoarse whisper due to damaged vocal chords]. We had it all written for dialog because I thought it would be cute to have him say, “Now I want you to do this…”
The day we started shooting, they said, “It’s got to be a silent picture. We can’t have him talking like this.” The picture never showed anywhere. We turned it into a gag comedy.
Howard Hawks, from Joseph McBride, Hawks on Hawks, University of California Press, Berkeley and Los Angeles, 1992

It’s a detective film that revolves around an investigation of the detective Philip Trent. The film was shot as a silent picture because they did not get the rights for making a sound version and it was never distributed by Fox: the American market in 1929 demanded sound movies, and the film was not distributed as normal except for in England.
Jean A. Gili, Howard Hawks, Cinéma d’aujourd’hui – Seghers, Paris, 1971

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