Sat
21/06
Jolly Cinema > 16:30
HALLELUJAH, I’M A BUM
Ehsan Khoshbakht
ProjectionInfo
Subtitle
Original version with subtitles
Admittance
HALLELUJAH, I’M A BUM
Film Notes
A proletarian musical if there ever was one – or, if not, certainly an anti-capitalist film – told through songs and rhyming dialogue. Conceived as a vehicle for singer and actor Al Jolson, the film showcases one of his most indelible screen performances. He plays Bumper, a homeless, carefree “mayor” of Central Park during the Great Depression. Bumper lives among a dignified entourage of rough sleepers (including silent comedian Harry Langdon as a communist) and enjoys a cordial relationship with New York’s real mayor (played by Frank Morgan). When Morgan’s girlfriend attempts suicide after a misunderstanding, Bumper saves her and, unaware of her true identity, falls for her. Amnesiac, she later regains her memory and, in a poignant reversal of City Lights, not only fails to recognise her saviour but finds him pathetic. Bumper then returns to the park to be a bum again.
The production of Hallelujah, I’m a Bum was troubled from the start. Director Harry d’Abbadie d’Arrast began the project but left shortly after filming commenced. Chester Erskine took over but delivered a version so poorly received in previews that producer Joseph Schenck discarded it entirely. Schenck then brought in Lewis Milestone to start from scratch.
Milestone shot the film intensively over three weeks, even as scripts and songs were being written and rehearsed. He enlisted the team of Rogers and Hart to write new songs that included You Are Too Beautiful, later a jazz standard performed by the likes of Thelonious Monk and John Coltrane.
The result bears Milestone’s unmistakable stamp in its circular mise-en-scène, exciting tracking shots into the centre of scene to denote cracking under responsibility, and humanising those living on the margins. Yet, it was a commercial failure and ended the film career of Jolson who, angry and hurt, didn’t realise it was a small glory, a film that, remarkably, interweaved elements of avant-garde cinema (and progressive politics) with the delightful traditions of early sound musicals.
Ehsan Khoshbakht
Cast and Credits
Sog.: Ben Hecht. Scen.: S.N. Behrman. F.: Lucien N. Andriot. M.: Duncan Mansfield. Mus.: Richard Rodgers, Lorenz Hart. Scgf.: Richard Day. Int.: Al Jolson (Bumper), Madge Evans (June Marcher), Frank Morgan (mayor John Hastings), Harry Langdon (Egghead), Chester Conklin (Sunday), Tyler Brooke (mayor’s secretary), Tammany Young (Orlando), Bert Roach (John). Prod.: Joseph M. Schenck per Feature Productions, Inc. 35mm. D.: 82’. Bn.
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