THEODORE W. CASE SOUND TEST #1: GUS VISSER AND HIS SINGING DUCK

Theodore W. Case

Int.: Gus Visser. Prod.: Theodore W. Case 35mm. L.: 41 m. D.: 2’ a 24 f/s. Bn

info_outline
T. it.: Italian title. T. int.: International title. T. alt.: Alternative title. Sog.: Story. Scen.: Screenplay. F.: Cinematography. M.: Editing. Scgf.: Set Design. Mus.: Music. Int.: Cast. Prod.: Production Company. L.: Length. D.: Running Time. f/s: Frames per second. Bn.: Black e White. Col.: Color. Da: Print source

Film Notes

In 1922, American inventors Lee de Forest (1873-1961) and Theodore Case (1888-1944) began collaborating to perfect the Phonofilm variable density sound-on-film process, which De Forest had started developing three years earli­er. By 1925, however, Case had grown tired of not getting the credit he felt he was due, severed ties with De Forest, and continued to develop the sound-on-film process at his own lab located in the backyard of his family mansion in Auburn, New York. Here, Case shot a number of short experimental sound films using the process, which he re-chris­tened Movietone, including this perfor­mance by Dutch-born stage entertainer Gus Visser (1894-1967) with his trade­mark “singing duck”; a precious record of a bygone era of the weird and wonderful world of American vaudeville theatre. A year later, in 1926, Case sold his patents to William Fox of the Fox Film Corpo­ration, who commercially marketed the process as Fox Movietone. The sound film “revolution” was just around the corner…

Oliver Hanley

Copy From

Restored by George Eastman Museum in collaboration with The Cayuga Museum of History and Art at John Allen, Inc. laboratory, from a 35mm nitrate composite negative