The Masquerader

Charles Chaplin

T. It.: Charlot Attore / Charlot In Vacanza; Scen.: Charles Chaplin; F.: Frank D. Williams; Int.: Charles Chaplin, Roscoe Arbuckle, Chester Conklin (Attori Cinematografici), Charles Murray (Regista), Fritz Shade (Il Cattivo), Minta Durfee (Prima Attrice), Cecile Arnold, Vivian Edwards (Altre Attrici), Harry Mccoy, Charles Parrott [Charley Chase] (Altri Attori); Prod.: Mack Sennett Per Keystone Film Company; Pri. Pro.: 27 Agosto 1914; 35mm. L.: 314 M. D.: 15′ A 18 F/S. Tinted.

info_outline
T. it.: Italian title. T. int.: International title. T. alt.: Alternative title. Sog.: Story. Scen.: Screenplay. F.: Cinematography. M.: Editing. Scgf.: Set Design. Mus.: Music. Int.: Cast. Prod.: Production Company. L.: Length. D.: Running Time. f/s: Frames per second. Bn.: Black e White. Col.: Color. Da: Print source

Film Notes

Everything has been said (or “will have been said” after these Bologna days) about Chaplin, and I must admit I am not the greatest specialist of Chaplin. I long thought that the key figures of Charlot were the big shoes, a cane, a hat…. and a moustache. But I have always been fond of the idea that this man actually never wore a moustache, and ended up with one for strange reasons, while most of the heroes didn’t have one at that time. I will try to find the history of this moustache, why it is there… and why, when Chaplin appears in his films without it, it is like he is “naked” or almost feminine in our eyes.

Serge Bromberg

Restored by
Restored by
Restored by

From a tinted nitrate positive print. English intertitles have been reconstructed