SHOULD MARRIED MEN GO HOME?

James Parrott, Leo McCarey

T. it.: Gli uomini sposati devono andare a casa?. Sog.: Leo McCarey, James Parrott. F.: George Stevens. M.: Richard Currier. Int.: Stan Laurel (Stan), Oliver Hardy (Ollie), Edgar Kennedy (golf player), Kay Deslys (miss Em Hardy), Edna Marian (blonde golf player), Viola Richard (brunette golf player), Dorothy Coburn, Jack Hill, Charlie Hall. Prod.: Hal Roach per Hal Roach Studios. DCP. D.: 21’. Bn.

info_outline
T. it.: Italian title. T. int.: International title. T. alt.: Alternative title. Sog.: Story. Scen.: Screenplay. F.: Cinematography. M.: Editing. Scgf.: Set Design. Mus.: Music. Int.: Cast. Prod.: Production Company. L.: Length. D.: Running Time. f/s: Frames per second. Bn.: Black e White. Col.: Color. Da: Print source

Film Notes

“The transfer of Stan Laurel and Oliver Hardy from the All Star Series to a series to be known as the Laurel & Hardy Series is a perfectly logical one inasmuch as they proved during the current year that their personalities completely overshadow any descriptive title which otherwise might be given to their comedies.” These are the words of the “Exhibitors Herald”. Should Married Men Go Home? is the comedy that legitimised Stan and Ollie’s success in terms of production, as it marked the beginning of the first series under their own names. It is the second of the duo’s films with a matrimonial theme, focusing on that domestic inferno from which no-good husbands try to escape, only to self-sabotage and end up defeated. It is one of the couple’s recurrent leitmotifs, in this case set up with an unusual premise: Stan bursts onto Hardy’s landing, dressed to the nines and armed with golf clubs, ready to wreak havoc on the golf course with his friend. Ollie, on the other hand, seems intent on spending a quiet day together with his spouse (Kay Deslys, who acted alongside Chaplin in The Gold Rush). We believe it, at least for a while, but Stan’s apocalyptic invasion of his reluctant friend’s home is destined to reveal a much more mischievous plan. The film reworks the clumsy extra-marital approaches of the earlier Their Purple Moment, but chooses to deviate onto the safe(r) terrain of physical comedy. Besides, when you want to transform a golf course into a battleground, it is always better to leave it to the professionals.

Alessandro Criscitiello

Copy From

Restored in 2024 by Blackhawk Films at FPA Classics laboratory, from a 35mm safety fine grain print preserved by Academy of Motion Pictures Arts and Sciences (Blackhawk Films Collection)