William A. Wellman

. T. alt.: Ernie Pyle’s Story of G.I. Joe. Sog.: dai libri Here Is Your War e Brave Men di Ernie Pyle. Scen.: Leopold Atlas, Guy Endore, Philip Stevenson. F.: Russell Metty. M.: Otto [Otho] Lovering, Albrecht Joseph. Scgf.: James W. Sullivan. Mus.: Ann Ronell, Louis Applebaum. Int.: Burgess Meredith (Ernie Pyle), Robert Mitchum (tenente Bill Walker), Freddie Steele (sergente Steve Warnicki), Wally Cassell (soldato Dondaro), Jimmy Lloyd (soldato Spencer), Jack Reilly (soldato Murphy), Bill Murphy (soldato Mew). Prod.: Lester Cowan per United Artists 35mm. D.: 109’. Bn

T. it.: Italian title. T. int.: International title. T. alt.: Alternative title. Sog.: Story. Scen.: Screenplay. F.: Cinematography. M.: Editing. Scgf.: Set Design. Mus.: Music. Int.: Cast. Prod.: Production Company. L.: Length. D.: Running Time. f/s: Frames per second. Bn.: Black e White. Col.: Color. Da: Print source

Film Notes

Eisenhower called it “the best war movie ever”, and it is. Based on Ernie Pyle’s famous articles on grunts in the North-African and Italian theatres, G.I. Joe is episodic at best, following the destiny of Charlie Company on various fronts. Men lose their lives one by one, or their minds – ex-fighter Freddie Steele, the ‘Tacoma Assassin’, is unforgettable as Sgt. Warnicki. Eschewing the usual romantic pap or dramatic scenes of Hollywood WW2 pictures, the film had at its center one emotional, wordy scene, to be played by C Company’s Lt. Bill Walker. Neither director William Wellman nor independent producer Lester Cowan wanted stars in the picture. Shrimpy Burgess Meredith got to play Pyle, but Walker was hard to cast. For his audition Mitchum had to play the scene where he is trying to write letters to families about their dead sons. It was the longest dialogue in the script, and Wellman did not think a newcomer could hack it, let alone impress him. Mitchum never was in the army, never had any interest either (he already had two children); but he had his singer-sister tell him about the soldiers who came to the canteens and clubs she performed in. Soldiers back from combat never were the gung-ho noisy bunch you saw in the movies. The were haunted and exhausted and never talked about the war. Mitchum played it that way, quietly, and Wellman was blown away. You will be too.

Philippe Garnier (based on Lee Server’s Robert Mitchum: Baby I Don’t Care, St. Martin’s Press, New York 2001)

Copy From

Restored in 2001 by Academy Film Archive at Triage and Audio Mechanics laboratory from a 35mm nitrate dupe negative, a nitrate dupe negative from the British Film Institute, and for the last shot, a 16mm dupe negative. The original negative was lost