SHOULDER ARMS

Charles Chaplin


T. it.: Charlot soldato. Sc.: C. Chaplin. F.: Rollie Toteroth. Cast: C. Chaplin (recluta), Edna Purviance (ragazza francese), Sydney Chaplin (sergente / Kaiser), Jack Wilson (principe tedesco), Henry Bergman (sergente grasso / maresciallo Hindenburg), Albert Austin (soldato americano / soldato tedesco / autista del Kaiser), Tom Wilson (sergente istruttore), John Rand e Park Jones (soldati americani), Loyal Underwood (tedesco). Prod.: C. Chaplin, First National

info_outline
T. it.: Italian title. T. int.: International title. T. alt.: Alternative title. Sog.: Story. Scen.: Screenplay. F.: Cinematography. M.: Editing. Scgf.: Set Design. Mus.: Music. Int.: Cast. Prod.: Production Company. L.: Length. D.: Running Time. f/s: Frames per second. Bn.: Black e White. Col.: Color. Da: Print source

Film Notes

Chaplin talked a good deal at this time about bringing back the Tramp. To another interviewer in 1959 he said: «I was wrong to kill him. There was room for the Little Man in the atomic age». His interest in the character had been reawakened by working on A Dog’s LifeShoulder Arms and The Pilgrim, which, with the assistance of Jerry Epstein, he edited and re-assembled as The Chaplin Revue. As severe as ever in the cutting room, he took out moments which he thought no longer worked well. […] Throughout the work Oona sat beside him, sewing, and he complained humorously that whenever he wanted to throw out some scene, she pleaded for its retention. Chaplin wrote and recorded a new score for the assembly, and for The Pilgrim composed a country pastiche, «Bound for Texas», which was recorded by a then popular singer, Matt Munro. The Chaplin Revue was released in September 1959.

David Robinson, Chaplin. His Life and Art, Glasgow/London, William Collins Sons & Co., 1985