Kamran Shirdel

Scen.: Esmaeel Noori Ala, Kamran Shirdel. F.: Naghi Maasoumi. M.: Fatemeh Dorostian. Int.: Nosratollah Karimi (narratore). Prod.: Ministero della Cultura e dell’Arte dell’Iran. DCP. D.: 40‘. Bn.

Il negativo originale è stato scansionato e restaurato digitalmente in 2K nel 2012 da Pishgamane Cinemaye Arya grazie al finanziamento del National Film Archive of Iran. A causa di alcuni errori verificatisi al tempo della realizzazione del film, la pellicola presentava danni da corrosione. Tali danni sono stati corretti e un nuovo negativo è stato realizzato e approvato dal regista / After scanning the original negative in 2K, digital restoration was done by Pishgamane Cinemaye Arya in 2012 with funding by the National Film Archive of Iran. Due to some laboratory errors in the processing stage of the film’s production, the original negative was damaged with circular corrosion. These circles were removed and a new negative was produced and approved by the film’s director

T. it.: Italian title. T. int.: International title. T. alt.: Alternative title. Sog.: Story. Scen.: Screenplay. F.: Cinematography. M.: Editing. Scgf.: Set Design. Mus.: Music. Int.: Cast. Prod.: Production Company. L.: Length. D.: Running Time. f/s: Frames per second. Bn.: Black e White. Col.: Color. Da: Print source

Film Notes

This satirical documentary film offers a crash course in 1960s Iran. A newspaper story of a heroic village boy who prevented a train disaster appears and spreads quickly. The incident, reported on and challenged by local officials and journalists, is soon doubted and leads ultimately to confusion, with nobody knowing exactly who has saved whom.
Born in 1939, Shirdel is best remembered for his clandestine documentaries about impoverished people – not forgetting his remake of Breathless under the title Sobh-e Rooz-e Chaahaarom (The Morning of the Fourth Day, 1972). A graduate of Centro Sperimentale di Cinematografia, his other films prior to The Night It Rained were funded and banned by the Iranian government, never shown under the Shah. This anti-authoritarian, Rashomonesque tale was also initially banned, but six years after production was deemed harmless. It was then premiered at the Tehran International Film Festival where it won the Best Short Film award.

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