Getting Acquainted
Tit. It.: “Charlot E La Moglie Gelosa” O “Fare Amicizia”; Scen.: Charles Chaplin; Int.: Charles Chaplin (Lo Sposo), Phyllis Allen (La Moglie), Mack Swain (Ambrose), Mabel Normand (Moglie Di Ambrose), Harry Mccoy (Poliziotto), Edgar Kennedy (Un Signore Turco Di Passaggio), Cecile Arnold (Ragazza); Prod.: Keystone Film Company; 35mm. L.: 312 M. D.: 18’ A 16 F/S.
Film Notes
All I need to make a comedy is a park, a policeman and a pretty girl. (Charles Chaplin)
Shot in a single day in Westlake Park, this was Chaplin’s final one-reeler for Keystone. […] By the end of the movie the film’s title can be seen to have several connotations – most of them cynical. Each woman gets acquainted with what men are like when their wives aren’t around; the wives get aquainted as fellow sufferers; the husbands as fellow molesters; the cop gets acquainted with the inexplicable behavior of women. It appears that where men and women are concerned “getting acquainted” is always sexually motivated – except, ironically, in the marriage relationship.
Harry M. Geduld, Chapliniana Volume 1. The Keystone Films, Bloomington & Indianapolis 1987