Tue

26/06

Cinema Jolly > 09:00

WOMEN OF ALL NATIONS

Raoul Walsh

Projection
Info

Tuesday 26/06/2018
09:00

Subtitle

Original version with subtitles

WOMEN OF ALL NATIONS

Film Notes

During the closing years of the silent era, Walsh met with great success for his depiction of the rivalry between two U.S. Marine officers in What Price Glory? (1926). Nevertheless the director felt some dissatisfaction: in the absence of sound, the sharpness of the film’s dialogue was lost in the intertitles. In the early 1930s, Walsh returned to the same characters, Jim Flagg and Harry Quirt, first in The Cock-Eyed World (1929) and then Women of All Nations, by which time the focus had shifted from war and military life to sex and comedy – yet the two seem to be intertwined. In the latter film Walsh frames a WWI trench and a line of bare female legs with the same type of dazzling tracking shot. Both are associated with mobility too. As the Marines are sent on missions to different countries, where they encounter women, a Swedish dancer enjoys her own freedom of movement, with her own ‘weapons’ to help her.

Unlike What Price Glory? Walsh was able not only to make the ludicrous conversations audible, but also enriched the soundtrack with the sounds of shelling, women giggling and mewing – Walshian sexual innuendo through sound.

The film is almost bereft of plot, instead introducing a series of situations and gags, both comic and dramatic. A stunning battle sequence leads into slapstick, as the viewer is whisked around the world. The scenes are linked by intertitles, the first one of which is signed by Walsh himself as ‘narrator’. Throughout, a small number of ideas are masterfully exploited by Walsh to the point of absurdity.

Audiences were far from enthusiastic however, perhaps tired of the Flagg/Quirt partnership, and the film lost $175,000. Surprisingly, Fox didn’t give up, making a fourth and final installment, Hot Pepper (1933), directed by John G. Blystone. This madcap, fast-moving film is a thoroughly enjoyable example of Walsh’s most lucid period of filmmaking – the work of a man who can turn even vulgar sex jokes into unassuming art.

Ehsan Khoshbakht

Cast and Credits

Sog.: basato sui personaggi di Maxwell Anderson, Laurence Stallings. Scen.: Barry Conners. F.: Lucien Andriot. M.: Jack Dennis. Scgf.: David Hall. Mus.: Carli Elinor. Int.: Victor McLaglen (capitano Jim Flagg), Edmund Lowe (sergente Harry Quirt), Greta Nissen (Elsa), El Brendel (Olsen), Fifi D’Orsay (Fifi), Marjorie White (Margie), Jesse De Vorska (Izzy Kaplan), Bela Lugosi (principe Hassan). Prod.: William Fox per Fox Film Corporation 35mm. D.: 73’. Bn.